Degas was fascinated by the world of ballet; hence, it figured prominently in many of his paintings. Here, the group of dancers is depicted in mid-performance, as viewed from an upper side box. Only one of the girls in green is shown full-length, captured as she executes a swift, complicated turn. The other figures are cropped, leaving the viewer to imagine the rest. In the background, a number of ballerinas dressed in orange stand against the landscape scenery, awaiting their turn. Degas’ use of a cropped, off-centred pictorial space was influenced by photography and by Japanese prints. He felt that the unfinished, transitory nature of reality could only be conveyed using a fragmented technique. Here, the fleeting nature of the movements is captured with rapid pastel strokes, applied with immense skill.