Madame Josse Hessel in Vuillard’s Studio, pastel painting by Edouard Vuillard (1868-1940)
Dimensions: 24.75 x 27.5 cm
Location: Private Collection
Between 1908 and 1914, Redon was repeatedly drawn to represent the mythic beauties Venus, Andromeda, and Pandora. Here, he depicts Pandora—the exquisite woman fashioned from clay by the god Vulcan and sent to earth by Jupiter. Her innocence still intact, Pandora cradles in her arms the box that, when opened, will unleash all the evils destined to plague mankind, thereby bringing to an end the legendary Golden Age of humanity.
Unlike the oil version of this painting which can be found in The Met (NY), in this pastel version Pandora wears white dress. If you ask me, this pastel version is the best version on his Pandora series. What is your opinion?
Date Created: 1858/1916
Physical Dimensions: w22.1 x h29.1
Credit Line: The Museum of Fine Arts, Houston, gift of Ann Eden Woodward
Medium: Pastel and charcoal on board
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Giuseppe Casciaro (1861-1941) was an Italian painter, active mainly in Naples. Orphaned at the age of twelve, he was raised by a paternal uncle, a priest. He attended school in lyceum gymnasium of Maglie, where his uncle hoped he would start studies towards a career in medicine. However, there he was first instructed to art by Paolo Emilio Stasi, who aided him in enrolling in the Neapolitan Academy of Fine Arts under Morelli and Palizzi. His uncle initially thought Giuseppe was in Naples attending the university, and upon learning of his deception, ceased his support of the young man.
At the Academy, he met Francesco Paolo Michetti, from whom he learned to paint landscapes in pastels. He spent most of his life painting landscapes of the shoreline and of his native Ortelle. At the end of the century, he traveled to Paris, where he met Giuseppe De Nittis and his circle. He gained a nomination to be professor at the Institute of Fine Arts of Urbino. He often visited and tutored members of the Royal House of Savoy about pastel painting. His works were exhibited throughout Europe and Argentina.
Click on the following thumbnails to see the gallery of works.
This is the catalog by Stephen Ongpin from the exhibition held in London June-July 2014, with the aim to draw attention to the central importance of the pastel medium in the work of some of the finest artist in Western art from the 18th through to the 20th century.
Title “In the Boudoir”, 1886
Pastel on paper
Dimensions: 39.2 × 46.5 cm (15.4 × 18.3 in)
Current location: Philadelphia Museum of Art
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the source: wikipaintings
Léon Augustin Lhermitte, 1887-89
title: Vue de Chartèves à l’Automne ou Les Derniers beaux jours
Pastel on paper
Dimensions: 38.1 x 48.26 cm (15 x 19″)
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Willard Leroy Metcalf (1858 –1925) was an American artist born in Lowell, Massachusetts. He studied at the School of the Museum of Fine Arts, Boston, and later attended Académie Julian, Paris. After early figure-painting and illustration, he became prominent as a landscape painter. He was one of the Ten American Painters who in 1897 seceded from the Society of American Artists. For some years he was an instructor in the Womans Art School, Cooper Union, New York, and in the Art Students League, New York. In 1893 he became a member of the American Watercolor Society, New York. Generally associated with American Impressionism, he is also remembered for his New England landscapes and involvement with the Old Lyme Art Colony at Old Lyme, Connecticut.
check out the Old Pastel gallery.