Old Pastel Painting

James Whistler, The Cemetery

James Abbott McNeill Whistler "Cemetery"

James Abbott McNeill Whistler “Cemetery”

Artist: Whistler, James Abbott McNeill
The Cemetery, 1880
Pastel on brown paper

This sheet, made early on in Whistler’s stay in Venice, features the cemetery island and church of San Michele in the brilliant light of day. With a heavy application of pastel, the artist renders the gleaming marble of the Renaissance structure, the cypress trees within the cemetery walls, and the canopied funeral boat at left. Short strokes and zigzagging lines make up their vivid reflections in the rippling water. Whistler probably sketched the scene aboard a gondola. Find more works by Whistler in Whistler’s Venice book.

Dimensions: 203 x 301 mm.
source: Frick Collection
Click on the image to see it in a higher resolution.

Camille Pissarro, Eugene Murer at His Pastry Oven

Camille Pissarro "Eugene Murer At His Pastry Oven"

Camille Pissarro “Eugene Murer At His Pastry Oven”

Artist: Camille Pissarro, 1877
Pastel on paper
Dimensions: 65 x 88 cm
Gallery: Private Collection
source wikipaintings.org

Click on the image to see it in a higher resolution.

Jean-Francois Millet, Narcissi and Violets

Jean-Francois Millet, "Narcissi and Violets"

Jean-Francois Millet, “Narcissi and Violets”

Artist: Jean-Francois Millet, c.1867
Title: Les narcisses et les violettes
Technique: pastel on paper
Dimensions: 40 x 50 cm
Gallery: Hamburger Kunsthalle, Hamburg, Germany

source: wikipaintings.org

Pablo Picasso, Women in Green

Pablo Picasso "Women in Green"

Pablo Picasso “Women in Green”

Pablo Picasso (Spanish, 1881–1973)
Pastel on tan paper board

20 3/8 x 14 1/4 in. (51.8 x 36.2 cm)
Purchase, Mr. and Mrs. John L. Loeb Gift, 1961 (61.85)
© 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Source: Met Museum

Eugène Delacroix, A Garden Path at Augerville

Eugène Delacroix "A Garden Path at Augerville"

Eugène Delacroix “A Garden Path at Augerville”

Eugène Delacroix – circa 1855
Title: A Garden Path at Augerville
Height: 30 cm (11.81 in.), Width: 42 cm (16.54 in.)
Medium: Drawing – pastel on paper

Istvan Nagy, Self-portrait

Istvan Nagy Self-portrait

Istvan Nagy Self-portrait


Nagy, István (1873-1937)
Self-portrait, 1926s
Pastel on paper
Museum: Hungarian National Gallery
Location: Budapest, Hungary
Size: 45,5×42 cm

Stanislaw Wyspianski, Girl with Violets

Stanislaw Wyspianski "Girl with Violets"

Stanislaw Wyspianski “Girl with Violets”

Stanislaw Wyspianski
“Girl with Violets”, 1896
pastel, 46 x 31.5 cm,
National Museum, Warsaw, Poland

Click on the image to see it in a higher resolution.

Jules Cheret, Masquerade

Jules Cheret "Masquerade"

Jules Cheret “Masquerade”

Jules Cheret, from 1890
Title: Masquerade
Pastel on Canvas
Size: 36×27 cm

Click on the image for a higher resolution.

Edgar Degas’ Last Painting

Edgar Degas "Two Dancers Resting I"

Edgar Degas "Two Dancers Resting I"

This painting (click to enlarge) is believed to be one of the last or the last pastel painting made by Edgar Degas, with his eyesight almost completely gone. Degas’ visual decline began at age 36, shortly after enlisting in the National Guard during the Franco Prussion war, due apparently to a form of retinopathy. By his forties, Degas developed a loss of central vision. Painting became even more difficult, he had problems in distinguishing colors and later on asked his models to identify the colors of his media. His vision became progressively worse, and by 1891, at age 57, he could no longer read.
Degas never specifically described the impact of his vision on his art. As his eyes worsened, Degas changed media from oils to pastels, which are looser and easier to work with and require less precision. Difficulties in color differentiation may have contributed to the bold coloration of Degas’ later works. A decline in contrast sensitivity and acuity is demonstrated in the progressively wider strokes evident in his later works. Degas’ retinopathy also accounted for his move into sculpture, printmaking, and photography. While some of the changes in his work may be attributable to stylistic changes and personal development, his changing vision almost certainly played a role. It is possible that some of Degas’ greatness as an artist is attributable to his visual loss. Renoir, for example, said of Degas: “Had he died at 50, he would have been remembered as a good, competent artist, nothing more.”
Source: Vision and Aging Lab

Lucien Lévy-Dhurmer, Eve

Lucien Levy-Dhurmer "Eve"

Lucien Levy-Dhurmer "Eve"


Lucien Lévy-Dhurmer, from 1896
Title: Eve
Pastel and gouache with gold
Size: 46 x 49 cm (18.11″ x 19.29″)
Collection of M. Michel Perinet (Paris, France)

Click on the image for a higher resolution.

Related Posts Plugin for WordPress, Blogger...
Go to Top